Product Description
by Yiming Ma (Author)
Best Book of 2025 by Electric Literature, PEN America, Debutiful - Top First Novel of 2025 by Booklist - Spotify Editors' Pick - Longlisted for the Goodreads Choice Award in Science Fiction
"Ma's These Memories Do Not Belong to Us brilliantly inventive weaves worlds around a central question: What happens when technology enables a totalitarian government to break into the last private frontiers of the internal mind? Chilling, poignant, and uncomfortably timely, Ma's braided memory dispatches explore a future in which the shifting concepts of safety, loyalty, and truth lead nowhere except condemnation." -- Tessa Hulls, author of Pulitzer Prize-winner Feeding Ghosts
For fans of Cloud Atlas and The Power, a hauntingly beautiful and prescient debut set in a future where a renamed China is the sole global superpower.
When I was a boy, my mother used to tell me stories of a world before memories could be shared between strangers...
In a far-off future ruled by the Qin Empire, every citizen is fitted with a Mindbank, an intracranial device capable of recording and transmitting memories between minds. This technology gives birth to Memory Capitalism, where anyone with means can relive the life experiences of others. It also unleashes opportunities for manipulation: memories can be edited, marketed, and even corrupted for personal gain.
After the sudden passing of his mother, an unnamed narrator inherits a collection of banned memories from her Mindbank so dangerous that even possessing them places his freedom in jeopardy. Traversing genres, empires, and millennia, they are tales of sumo wrestlers and social activists and armless swimmers and watchmakers, struggling amid the backdrop of Qin's ascent toward global dominance. Determined to release his mother's memories to the world before they are destroyed forever, the narrator will risk everything--even if the cost is his own life.
Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It forces us to see beyond the sheen of convenient truths and to unearth real stories of sacrifice and love that refuse to be eradicated.
