Product Description
by Richard Paul Roe (Author)
"Exciting, original, and convincing. . . . This book is essential reading for all concerned with who really wrote the works of Shakespeare. A thrilling journey of discovery." --Sir Derek Jacobi, Shakespearean actor, Associate Artist, Royal Shakespeare Company
Equal parts literary detective story and vivid travelogue, The Shakespeare Guide to Italy chronicles author Richard Paul Roe's thirty-year quest to find the locations in which Shakespeare set his ten Italian plays--delivering a text which will forever change our understanding of how to read the Bard of Avon and irrevocably alter our vision of who William Shakespeare really was.
More than 150 images illustrate and enhance Roe's captivating narrative, illuminating his lifelong journey and shining a light into the depths of Shakespeare's experiences in Italy. Until now, Shakespeare's use of Italian backdrops--Romeo and Juliet's Verona, Othello's Venice, Much Ado About Nothing's Messina, to name a few--has been the source of controversy and conjecture. With The Shakespeare Guide to Italy, Roe's meticulous study reveals the secrets that have eluded scholars for centuries.
Back Jacket
Richard Paul Roe spent more than twenty years traveling the length and breadth of Italy on a literary quest of unparalleled significance.
Using the text from Shakespeare's ten "Italian Plays" as his only compass, Roe determined the exact locations of nearly every scene in Romeo and Juliet, The Two Gentlemen of Verona, The Merchant of Venice, Much Ado about Nothing, The Tempest, and the remaining dramas set in Italy. His chronicle of travel, analysis, and discovery paints with unprecedented clarity a picture of what the Bard must have experienced before penning his plays.
Equal parts literary detective story and vivid travelogue--containing copious annotations and more than 150 maps, photographs, and paintings--The Shakespeare Guide to Italy is a unique, compelling, and deeply provocative journey that will forever change our understanding of how to read the Bard . . . and irrevocably alter our vision of who William Shakespeare really was.
