Skip to content
Save 5% on your next order with code PREMIUM5!
100,000+ Products for Home, Medical, Office & Classroom Needs
Search
Skip to product information
1 of 1

The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts - Paperback

$45.00 USD
$45.00 USD
Sale Sold out
Shipping calculated at checkout.
In stock (100 units), ready to be shipped

Available Offers

Fast delivery available on most orders

Multiple secure payment options accepted

Secure checkout with
  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa

Flight Range: Up to 1,000 meters (3,280 feet)

Maximum Speed: 45 kilometers per hour (28 miles per hour)

For all orders exceeding a value of 100USD shipping is offered for free.

Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.

Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.

View Product Details
Shopping cart
Product Product subtotal Quantity Price Product subtotal
The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts - Paperback
The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts - Paperback
The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts - Paperback
$45.00/ea
$0.00
$45.00/ea $0.00

Product Description

by Irving Massey (Author)

Art and technology have been converging rapidly in the past few years; an important example of this convergence is the alliance of neuroscience with aesthetics, which has produced the new field of neuroaesthetics.

Irving Massey examines this alliance, in large part to allay the fears of artists and audiences alike that brain science may "explain away" the arts. The first part of the book shows how neuroscience can enhance our understanding of certain features of art. The second part of the book illustrates a humanistic approach to the arts; it is written entirely without recourse to neuroscience, in order to show the differences in methodology between the two approaches. The humanistic style is marked particularly by immersion in the individual work and by evaluation, rather than by detachment in the search for generalizations. In the final section Massey argues that, despite these differences, once the reality of imagination is accepted neuroscience can be seen as the collaborator, not the inquisitor, of the arts.

Author Biography

Irving Massey is Professor of English and Comparative Literature and Adjunct Professor of French, Emeritus, at the State University of New York's University at Buffalo.

Number of Pages: 248
Dimensions: 0.51 x 8.5 x 5.5 IN
Publication Date: November 01, 2009
you might like