Product Description
by Elisa Mandelli (Author)
Moving images have become an increasingly common feature in a wide range of museums, which are frequently populated with screens and audio-visual projections. But when did films start to be displayed in museum galleries? And what are the issues at stake when showing moving images in exhibition spaces?
With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. Highlighting the continuities and fractures between different periods, contexts and practices, Elisa Mandelli shows the deep influence of audio-visuals on the configuration of the exhibition space, as well as on the relationship between museums and their visitors.
Front Jacket
Edinburgh Studies in Film and Intermediality Series Editors: Martine Beugnet and Kriss Ravetto Founding Editor: John Orr A series of cutting-edge scholarly research monographs covering core aspects of film studies. The series' internationally respected authors contribute analytical and often controversial volumes, offering a critical intervention into their subject. 'In her innovative work, Elisa Mandelli traces the fascinating history of films and moving images in exhibition design. Combining careful archival research with sharp analyses of contemporary museums, The Museum as a Cinematic Space offers an invaluable addition to our understanding of the theories and practices of audio-visual media displays in exhibitions.' Leonardo Quaresima, Professor of Cinema Studies, University of Udine Moving images have become an increasingly common feature in a wide range of museums, with screens and audio-visual projections frequently encountered by museum visitors. But when did films start to be displayed in museum galleries? And what are the issues at stake when showing moving images in exhibition spaces? With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. Highlighting the continuities and fractures between different periods, contexts and practices, Elisa Mandelli shows the deep influence of audio-visuals on the configuration of the exhibition space, as well as on the relationship between museums and their visitors. Elisa Mandelli is Postdoctoral Research Fellow at Link Campus University (Rome). She is member of the editorial board of the film studies journal Cinergie, and her writings have appeared in various edited collections and national and international journals. Cover image: Museo Diffuso della Resistenza, Turin (Ph. Fabrizio Esposito, courtesy of Museo Diffuso della Resistenza). Cover design: Stuart Dalziel [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-1679-5 Barcode
Author Biography
'Elisa Mandelli is Postdoctoral Research Fellow at Link Campus University (Rome). Her primary research interests include cinema and visual arts, moving images in museums, film installations. Her writings have appeared in various edited collections and national and international journals.
