Skip to content
Welcome To Our Store.
100,000+ Products for Home, Medical, Office & Classroom Needs
Search
Skip to product information
1 of 1

Spenserian Satire: A Tradition of Indirection - Paperback

$64.89 USD
$64.89 USD
Sale Sold out
Shipping calculated at checkout.
In stock (100 units), ready to be shipped

Available Offers

Fastest Delivery Tomorrow With Vip DealOrder within 1 hr 8 mins.

Instant 10% Discount On HDFC Banks Credit/Debit Cards EMI and CreditCard

Secure checkout with
  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa

Flight Range: Up to 1,000 meters (3,280 feet)

Maximum Speed: 45 kilometers per hour (28 miles per hour)

For all orders exceeding a value of 100USD shipping is offered for free.

Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.

Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.

View Product Details
Shopping cart
Product Product subtotal Quantity Price Product subtotal
Spenserian Satire: A Tradition of Indirection - Paperback
Spenserian Satire: A Tradition of Indirection - Paperback
Spenserian Satire: A Tradition of Indirection - Paperback
$64.89/ea
$0.00
$64.89/ea $0.00

Product Description

by Rachel Hile (Author)

Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

Front Jacket

Spenserian satire examines the satirical poetry of Edmund Spenser and argues for his importance as a model and influence for younger poets writing satires in the late sixteenth and early seventeenth centuries. The book focuses on reading satirical texts of the period in relation to one another, with specific attention to the role that Edmund Spenser plays in that literary subsystem, in order to address several distinct audiences. For Spenser scholars, who recognize Spenser's supremacy in "serious poetry" of the period and have carefully studied his influence on epic, pastoral and lyric poetry, the analysis of Spenser's reputation as a satirical poet will contribute to a fuller understanding of Spenser as "the poet's poet." For scholars of satire, the book offers a more detailed discussion and theorization of the type of satire that Spenser wrote, "indirect satire," than has been provided elsewhere. Spenser's satire does not fit well into the categories that have been used to taxonomize satirical writing from the classical era up to the eighteenth century, but including him with the complaint tradition is also imprecise. A theory of indirect satire benefits not just Spenser studies, but satire studies as well. For scholars of English Renaissance satire in particular, who have tended to focus on the formal verse satires of the 1590s to the exclusion of more indirect forms such as Spenser's, this book is a corrective, an invitation to recognize the influence of a style of satire that has received little attention

Back Jacket

Spenserian satire examines the satirical poetry of Edmund Spenser and argues for his importance as a model and influence for younger poets writing satires in the late sixteenth and early seventeenth centuries.

The book focuses on reading satirical texts of the period in relation to one another, with specific attention to the role that Edmund Spenser plays in that literary subsystem, in order to address several distinct audiences. For Spenser scholars, who recognize Spenser's supremacy in "serious poetry" of the period and have carefully studied his influence on epic, pastoral and lyric poetry, the analysis of Spenser's reputation as a satirical poet will contribute to a fuller understanding of Spenser as "the poet's poet." For scholars of satire, the book offers a more detailed discussion and theorization of the type of satire that Spenser wrote, "indirect satire," than has been provided elsewhere. Spenser's satire does not fit well into the categories that have been used to taxonomize satirical writing from the classical era up to the eighteenth century, but including him with the complaint tradition is also imprecise. A theory of indirect satire benefits not just Spenser studies, but satire studies as well.

For scholars of English Renaissance satire in particular, who have tended to focus on the formal verse satires of the 1590s to the exclusion of more indirect forms such as Spenser's, this book is a corrective, an invitation to recognize the influence of a style of satire that has received little attention

Author Biography


Rachel E. Hile is Professor of English at Purdue University Fort Wayne

Number of Pages: 224
Dimensions: 0.6 x 8.4 x 5.5 IN
Publication Date: May 17, 2019
you might like