Skip to content
Welcome To Our Store.
100,000+ Products for Home, Medical, Office & Classroom Needs
Search
Skip to product information
1 of 1

Reclaiming Female Agency: Feminist Art History After Postmodernism - Paperback

$98.91 USD
$98.91 USD
Sale Sold out
Shipping calculated at checkout.
In stock (100 units), ready to be shipped

Available Offers

Fast delivery available on most orders

Multiple secure payment options accepted

Secure checkout with
  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa

Flight Range: Up to 1,000 meters (3,280 feet)

Maximum Speed: 45 kilometers per hour (28 miles per hour)

For all orders exceeding a value of 100USD shipping is offered for free.

Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.

Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.

View Product Details
Shopping cart
Product Product subtotal Quantity Price Product subtotal
Reclaiming Female Agency: Feminist Art History After Postmodernism - Paperback
Reclaiming Female Agency: Feminist Art History After Postmodernism - Paperback
Reclaiming Female Agency: Feminist Art History After Postmodernism - Paperback
$98.91/ea
$0.00
$98.91/ea $0.00

Product Description

by Norma Broude (Editor), Mary D. Garrard (Editor), Alison Arieff (Contribution by)

This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.



Contributors: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, Mary D. Sheriff

Front Jacket

Extremely stimulating and useful. The authors lay out a strategy for future art historians and theorists.--Paula Harper, University of Miami

"I found the individual essays fascinating. . . . Broude and Garrard's introduction . . . helped clarify for me the current state of the affairs in feminist art history; their approach is both inspired and inspiring."-- Sue Taylor, Associate Professor of Art History, Portland State University

Author Biography

Norma Broude, Professor of Art History at American University, is author of Impressionism, a Feminist Reading: The Gendering of Art, Science, and Nature in the 19th Century (1991), among other books. Mary D. Garrard is Professor Emerita of Art History at American University and author of Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity (California, 2001), among other publications. Broude and Garrard are also the editors of The Power of Feminist Art: The American Movement of the 1970s, Power and Impact (1994).

Number of Pages: 486
Dimensions: 1.2 x 9.2 x 7.5 IN
Publication Date: April 25, 2005
you might like