Product Description
by Andre Bagoo (Contribution by), Miki Brunou (Contribution by), Lucas Izquierdo (Contribution by)
Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.
Author Biography
Christopher L. Ballengee is an ethnomusicologist based in Poland, where he works as an academic editor and English teacher. He is director of the feature-length documentary film Sweet Tassa: Music of the Indian Caribbean Diaspora (2019) and author of numerous articles on music in Trinidad and Tobago.
Cover image: Richard Williams
