Skip to content
Welcome To Our Store.
100,000+ Products for Home, Medical, Office & Classroom Needs
Search
Skip to product information
1 of 1

Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During Us Colonization of the Philippines - Paperback

$54.00 USD
$54.00 USD
Sale Sold out
Shipping calculated at checkout.
In stock (100 units), ready to be shipped

Available Offers

Fastest Delivery Tomorrow With Vip DealOrder within 1 hr 8 mins.

Instant 10% Discount On HDFC Banks Credit/Debit Cards EMI and CreditCard

Secure checkout with
  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa
  • Daily deals
  • Return policy
  • Payment method
  • Help center 24/7

Flight Range: Up to 1,000 meters (3,280 feet)

Maximum Speed: 45 kilometers per hour (28 miles per hour)

For all orders exceeding a value of 100USD shipping is offered for free.

Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.

Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.

View Product Details
Shopping cart
Product Product subtotal Quantity Price Product subtotal
Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During Us Colonization of the Philippines - Paperback
Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During Us Colonization of the Philippines - Paperback
Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During Us Colonization of the Philippines - Paperback
$54.00/ea
$0.00
$54.00/ea $0.00

Product Description

by Mary Talusan (Author)

At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of "little brown men," Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world's fairs, held a place of honor in William Howard Taft's presidential parade, and garnered praise by bandmaster John Philip Sousa--all the while facing beliefs and policies that Filipinos and African Americans were "uncivilized."

Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band's own voices. She sounds out the meanings of Americans' responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing "threat" of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as "natural musicians" and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving's leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer.

The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America's racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.

Author Biography

Mary Talusan is assistant professor of Asian-Pacific studies at California State University, Dominguez Hills. She is coeditor of Our Culture Resounds, Our Future Reveals: A Legacy of Filipino American Performing Arts in California and performs with the Pakaraguian Kulintang Ensemble.

Number of Pages: 296
Dimensions: 0.67 x 9 x 6 IN
Publication Date: August 06, 2021
you might like