Skip to content
Welcome To Our Store.
100,000+ Products for Home, Medical, Office & Classroom Needs
Search
Skip to product information
1 of 1

Future of Nuclear Waste: What Art and Archaeology Can Tell Us about Securing the World's Most Hazardous Material - Hardcover

$85.48 USD
$85.48 USD
Sale Sold out
Shipping calculated at checkout.
In stock (26 units), ready to be shipped

Available Offers

Fastest Delivery Tomorrow With Vip DealOrder within 1 hr 8 mins.

Instant 10% Discount On HDFC Banks Credit/Debit Cards EMI and CreditCard

Secure checkout with
  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa

Flight Range: Up to 1,000 meters (3,280 feet)

Maximum Speed: 45 kilometers per hour (28 miles per hour)

For all orders exceeding a value of 100USD shipping is offered for free.

Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.

Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.

View Product Details
Shopping cart
Product Product subtotal Quantity Price Product subtotal
Future of Nuclear Waste: What Art and Archaeology Can Tell Us about Securing the World's Most Hazardous Material - Hardcover
Future of Nuclear Waste: What Art and Archaeology Can Tell Us about Securing the World's Most Hazardous Material - Hardcover
Future of Nuclear Waste: What Art and Archaeology Can Tell Us about Securing the World's Most Hazardous Material - Hardcover
$85.48/ea
$0.00
$85.48/ea $0.00

Product Description

by Rosemary Joyce (Author)

How can nations ensure that buried nuclear waste goes undisturbed for thousands of years? The United States government tried to solve this problem with the help of experts they identified in communication, materials science, and futurism. From the perspective of a contemporary archaeologist, The Future of Nuclear Waste looks at what these experts suggested, and what the government endorsed: designs for a modern monument, an artificial ruin, a purpose-built archaeological site that would escape future exploration. One design, selected for development, argued that because specific archaeological sites and objects (among them Stonehenge, Serpent Mound, the Rosetta Stone, and rock art) made long ago have endured and are seen as significant today, contemporary engineers could build monuments that would be equally effective in conveying messages that last even longer. An alternative proposal, which government planners set aside, was rooted in the idea that universal archetypes of
design arouse similar human emotions in all times and places. Both proposals used common sense, assuming that human reactions and understandings are relatively predictable.

Employing an anthropology of common sense, Rosemary Joyce explores why people chosen for their expertise relied on generalizations contradicted by the actual history of preservation and interpretation of archaeological sites and the closest analogues to archetype-based designs, which are the large scale installations produced in the Land Art movement. The book reveals the underlying imagination shared by the experts, government planners, and artists, in which the American West is an empty space available for projects like these. It counters this with the dissenting voices of indigenous scholars and activists who document the presence on these nuclear landscapes of Native American people. The result is an eye-opening and unique demonstration of how a deep understanding of the remote past informs critical debates about the present.

Author Biography


Rosemary Joyce is Professor of Anthropology at the University of California, Berkeley. Her previous publications include Ancient Bodies, Ancient Lives: Sex, Gender, and Archaeology and, as editor with Barry Cunliffe and Chris Gosden, The Oxford Handbook of Archaeology.

Number of Pages: 304
Dimensions: 1 x 9.4 x 6.3 IN
Publication Date: February 21, 2020
you might like