Product Description
by Trudy Griffin-Pierce (Author), N. Scott Momaday (Foreword by)
To the Navajo, sandpaintings are sacred, living entities that reflect the interconnectedness of all living beings--humans, plants, stars, animals, and mountains. This book, now available in paperback, explores the circularity of Navajo thought in sandpaintings, Navajo chantway myths, and stories reflected in the celestial constellations.
Beautifully illustrated by the author, this well-documented book explores the spiritual world of the Navajo, their ceremonial practices, and their conceptions of time and stellar motion. Griffin-Pierce shows how the images of sacred sandpaintings not only communicate the temporal and spatial dimensions of the Navajo universe but also present, in visual form, Navajo ideas about relationships among nature, self, and society.
"Griffin-Pierce's approach is highly original, bringing this material together in an innovative and creative manner while grounding it holistically within the context of Navajo world view."--M. Jane Young, author of Signs from the Ancestors: Zuni Cultural Symbolism and Perceptions of Rock Art
Front Jacket
Explores the circularity of Navajo thought through studies of sandpaintings, chantway myths, and stories reflected in the constellations.
Author Biography
Trudy Griffin-Pierce (1949-2009) was an associate professor of anthropology at the University of Arizona. She was the author of several books on American Indian cosmology.
N. Scott Momaday (1934-2023) was a writer, poet, storyteller, and illustrator who won the Pulitzer Prize for his first novel, House Made of Dawn. Kiowa by way of Jemez Pueblo, he was the author of the classic Kiowa origin story The Way to Rainy Mountain and several books of poetry, including In the Bear's House, In the Presence of the Sun, and Again the Far Morning (all from UNM Press).
