Skip to content
Welcome To Our Store.
100,000+ Products for Home, Medical, Office & Classroom Needs
Search
Skip to product information
1 of 1

Art as Plunder: The Ancient Origins of Debate about Cultural Property - Hardcover

$168.30 USD
$168.30 USD
Sale Sold out
Shipping calculated at checkout.
In stock (100 units), ready to be shipped

Available Offers

Fast delivery available on most orders

Multiple secure payment options accepted

Secure checkout with
  • American Express
  • Apple Pay
  • Diners Club
  • Discover
  • Google Pay
  • Mastercard
  • PayPal
  • Shop Pay
  • Visa

Flight Range: Up to 1,000 meters (3,280 feet)

Maximum Speed: 45 kilometers per hour (28 miles per hour)

For all orders exceeding a value of 100USD shipping is offered for free.

Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.

Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.

View Product Details
Shopping cart
Product Product subtotal Quantity Price Product subtotal
Art as Plunder: The Ancient Origins of Debate about Cultural Property - Hardcover
Art as Plunder: The Ancient Origins of Debate about Cultural Property - Hardcover
Art as Plunder: The Ancient Origins of Debate about Cultural Property - Hardcover
$168.30/ea
$0.00
$168.30/ea $0.00

Product Description

by Margaret M. Miles (Author)

This book examines the ancient origins of debate about art as cultural property. What happens to art in time of war? Who should own art, and what is its appropriate context? Should the victorious ever allow the defeated to keep their art? These questions were posed by Cicero during his prosecution of a Roman governor of Sicily, Gaius Verres, for extortion. Cicero's published speeches had a very long afterlife, affecting debates about collecting art in the 18th century and reactions to the looting of art by Napoleon. The focus of the book's analysis is theft of art in Greek Sicily, Verres' trial, Roman collectors of art, and the later impact if Cicero's arguments. The book concludes with the British decision after Waterloo to repatriate Napoleon's stolen art to Italy, and an epilogue on the current threats to art looted from archaeological contexts. Margaret M. Miles is an archaeologist and art historian, now Professor of Art History and Classics at the University of California, Irvine. She has held fellowships at the American School of Classical Studies in Athens, the Institute for Advanced Study in Princeton, and the American Academy in Rome. She has excavated at Corinth and Athens, and did architectural fieldwork at Rhamnous in Greece and at Selinunte and Agrigento in Sicily. Her earlier publications include a study of the Temple of Nemesis at Rhamnous (Hesperia, 1989) and a volume in the Agora excavation series on the City Eleusinion, the downtown Athenian branch of the Eleusinian Mysteries (The Athenian Agora, Vol. 31: The City Eleusinion, 1998).

Number of Pages: 444
Dimensions: 1.1 x 9 x 6.2 IN
Illustrated: Yes
Publication Date: January 28, 2008
you might like