Product Description
by Nicholas Luke (Author)
This exciting and challenging study reorients how we think about politics in Shakespeare and on the early modern stage. By reading Shakespeare's political drama as a negative mode of political experience and thought, Nicholas Luke allows us to appreciate the imaginative and disruptive elements of plays that might seem politically pessimistic. Drawing on a long religious and philosophical tradition of negativity and considering the writings of Hegel, Kierkegaard, Benjamin, Adorno, Derrida and Badiou, Luke pursues a phenomenology of political spirit that looks to the creative potential of experiences of failure, haunting, estrangement, impasse and dream. Through his notion of a negative political theology, he challenges traditional understandings of political theology and shows that Shakespeare's drama of negativity is more than a form of pessimistic critique, but rather a force of freedom and invention that animates the political imaginations of its audience.